矽光戲光 Light Play in Taiwan’s Silicon Valley
陳姿文 Tzu-Wen, Chen
2013
不鏽鋼、變色烤漆、LED、腳踏發電機 /Stainless steel , color-changing paint coating, LED, pedal powered generators

調色​ Toning
矽光戲光兩件作品，分別設置於管理局左、右兩側的綠色屋頂。
在日間兩件作品看起來是類似植物、花朵造型的靜態金屬作品，表面特殊的變色烤漆，使白色的作品在日光照射下，泛著奇妙的虹彩。
夜間作品在無人使用發電機時，將依循初始設計的燈光展演模式，自動執行豐富而多變的燈光秀。一旦有人踩踏發電機，即切斷自動展演模式，轉換為互動裝置的執行模式。
「調色」是一場默契的遊戲，隨著觀賞者踩踏發電機的速度，驅動光的三原色多寡，形成的圖形會因為各色光的不同強弱而呈現混色效果，使整體作品如同五彩繽紛的調色盤。

競速 Racing
兩件作品在造形上運用流動的線條和幾何的菱形、圓形，組成帶有科技色彩的植物造型，展現設置主題「與自然共舞」—與自然共融共舞之生命意象和中科精神。
關於「競速」這件作品的互動模式，觀賞者必須坐在葉片造型的座椅上，踩踏腳踏車發電機以驅動LED燈光，
五件發電機分別可以驅動紅、黃、綠、藍、白色光，光的速度將隨著驅動發電機的速度快慢而增減，便能進行光的競速遊戲。
燈光隨著圖形展演，猶如植物的生長，最後五個色光共同構成星形花朵的圖形，是一件可以呼朋引伴一起玩耍的作品。

  Since its establishment in central Taiwan, the Central Taiwan Science Park (CTSP) has been the cradle of developing industries such as optoelectronics, integrated circuit, precision machinery, and biotechnology.  Of these, the optoelectronics industry has drawn the most attention.  The CTSP has not only introduced semiconductors and optoelectronics industries, with the future addition of petrochemical and metal industries, it’s role will become even more vital and will mark another zenith for the high-tech industries of Central Taiwan.  Therefore, the Chinese title of this work, “Xi Guang” serves as a metaphor for the “glory of Taiwan’s Silicon Valley”.  Inspired by optoelectronics, the park’s most important industry, this work will be a combination of various interactive games, hence the theme, “Light Play in Taiwan’s Silicon Valley”.
    This artwork will be divided into two pieces: “Racing” and “Toning”.  Flowing contours and geometric shapes, such as diamonds and circles, will be employed to form the shape of plants that are technological in nature.  It is a way to demonstrate the subject of this installation, “Dancing with Nature”.  The spirit of CTSP will thus be portrayed through this vivid image of incorporating and dancing with Nature.  In the work, “Racing”, as many as five people will be able to interact with the work by pedaling the generator as a means of producing the light by which the winner is judged.  “Toning” is a game of tacit understanding.  Depending on the strength of the three primary colors that have been generated, the pedal powered generators will give forth lights of constantly changing colors.
 

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生命窗景─紫斑蝶停留的樹上 Window View of Life- On Top of the Tree of Butterflies
大衛‧葛斯坦 David Gerstein
2015
不銹鋼、氟碳烤漆 / Stainless Steel, paint

中部科學園區的規劃目標是成為一個具備「永續」發展與「在地」風貌的綠色園區，兼顧生態保育與科技發展。大肚山的自然生態原本即相當豐富，也是台灣紫斑蝶遷徙的路徑，作品以純白色的樹木為底，以蝴蝶表現生態的多樣性及生活的律動感，讓紫斑蝶停留的樹成為「生產」與「生態」融合的顯著標誌，回應中科「四生共容」目標，並為全台科技園區立下良好典範。
This work serves as a part of the public art project, A Window View of Life, for the Taichung Park dormitory building. The objective of planning for Central Taiwan Science Park is to create a green park for ecological conservation and technological advancement that features sustainable methods of development and a local style. The rich natural ecology of Mt. Dadu also serves as a path of migration for Taiwanese milkweed butterflies. The shape and colors of the work are both minimalistic and complex. With a pure white color base, the colorful and lively rhythm of butterflies is expressed. Indeed, this tree of butterflies becomes a significant symbol signifying the integration of production and ecology, and sets a good paradigm for the science park.

生命窗景─松鼠坡上的追逐 Window View of Life- The Chase on Squirrel Slope
大衛‧葛斯坦 David Gerstein
2015
不銹鋼、氟碳烤漆 / Stainless Steel, paint

本作品位於台中園區俗稱松鼠坡的帆船型水塔地標旁，具有濃厚的休閒生活感。鮮活的色彩與律動的線條歡迎民眾走近觀看，自由穿梭在高低起伏的坡地之間，盡情地與作品互動，也可於坡地上自在休憩，俯瞰全中部的美景。作品以前後錯落的多台自行車，展現中科人忙碌之餘的休閒生活，並與騎經松鼠坡的自行車相互呼應，蘊含眾人一同奮力向上衝的涵義。
This work serves as a part of the public art project, A Window View of Life, for the Taichung Park dormitory building. Located next to the sailboat-like water tower landmark, commonly known as Squirrel Slope, of Taichung Park, the work exudes a strong sense of leisure and relaxation. Vivid colors and rhythmic lines offer a warm invitation for people to approach and view it.  Freely shuttling between the undulating slopes, they can interact with the work.  They may also choose to sit down on the sloped ground and enjoy a beautiful and overlooking view of the entire area.  Scattered across the front and back sides of the work, bicycles exhibit the relaxed lifestyle at Central Taiwan Science Park, while mirroring the cyclists riding and pushing upwards through Squirrel Slope.

生命窗景─生命綻放的窗景 Window View of Life- A Window View of Life, Blooming
大衛‧葛斯坦 David Gerstein
2015
不銹鋼、氟碳烤漆 / Stainless Steel, paint
透過三座窗型作品與環境之視覺構成，將宿舍區隱喻為窗內，將園區劃入窗外。藝術家以常見之動物、大肚山的花朵植物，構成一幅幅窗景，歡迎人們穿梭其間與作品互動。宿舍為一個下班後休憩身心、調整自身狀態後，回到生命原點的地方。本作品將人類存活的基本需求，對應於窗內「家」的認同與窗外「呼吸」的依賴，帶出「生命窗景」的領悟。
This work serves as a part of the public art project, A Window View of Life, for the Taichung Park dormitory building.  Through visuals generated by three window-shaped works and the environment, the dormitory area becomes an analogy for the inside of a window, while the park areas act as the outside of one. The artist utilizes common animals along with plants and flowers from Mt. Dadu to constitute a window view in which viewers may interact across it. The dormitory area itself acts as a place for people to relax, re-energize, enjoy moments of quiet reflection, and readjust themselves to an original state of life after a busy day.  This work corresponds basic human needs with the identity of a home “inside the window” and a “breath of air” on the outside.  It also echoes the project’s proposition of “A Window View of Life”.

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流動‧連結 Flow- Connection
李良仁 Liang-Jen, Lee
2016
鋼構烤漆、不鏽鋼板、不鏽鋼球、銅板、抿石子/Painted steel structure, stainless steel panels, stainless steel sphere, copper, pebbles 

作品以科技發展特色與中科的LOGO為設計發想，為科技帶來知識與技術的流動，以及與世界零距離的意象融入作品。作品紅色的色澤令人聯想到大肚山的紅土台地，也表現出科技帶給未來世界的希望與朝氣。堅硬的H型鋼構主體彎折出簡潔流暢的線條，亮面不鏽鋼球映照出線條的幾何之美、往來的車潮與民眾、周圍的建築物、天空等景色的變化，歡迎人們於作品下方穿梭遊走，感受大型鋼構藝術釋放的磅礡氣勢與能量。
“Flow – Connection” was inspired by scientific development and the logo of the Central Science Park, incorporating the flow of knowledge, technology and how these bring Taiwan and the world closer together as integral elements of the work. The red color alludes to the red earth of Dadu Mountain and gives voice the hope and energy with which technology redefines the future. The solid H-beam steel is bent to create simple flowing lines while the reflective side of the stainless steel sphere reflects the geometric beauty of the lines, constant changes in people and vehicles, surrounding buildings and the sky. People are invited to walk under and around the work to experience first hand its power and momentum. 

金色山脈 Golden Mountain
李良仁 Liang-Jen, Lee
2016
鋼構烤漆、不鏽鋼板、不鏽鋼球 /Painted steel structure, stainless steel panels, stainless steel spheres

金色的鋼構主體延伸至天際，彷佛群山的輪廓，其金碧輝煌的光澤讓人聯想到大肚山台地帶來的珍貴養分，中科彷彿都會區的寶石金礦，以及人與自然和諧共存的願景。兩條稜線像是玉山與大肚山脈於空中交錯共構，是中科與台灣連結的象徵，節點如地球造型的中科之球，進一步象徵中科與世界的連結。環繞的不鏽鋼板與雷射切割的圖案高低錯落，結合園區科技、生態、人文的元素，訴說中科精彩的生活故事。
The yellow steel structure extends into the horizon like to the outline of a mountain, its magnificent luster reminiscent of the bountiful riches provided by Dadu Mountain. This highlights the harmonious coexistence between the urban treasure trove of the Central Science Park and its natural setting. The two ridges allude to the way in which Jade Mountain and Dadu Mountain overlap, a symbol of the connection between the park and Taiwan, while the spheres represent global connectivity. The surrounding stainless steel panels and irregular laser cut depictions showcase representations of science and technology, ecology and culture relating the story of the Central Science Park. 

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四方風動 Windswept
派卓‧培多夫 Petre Petrov
2016
不鏽鋼板烤漆、抿石子基座 Painted stainless steel panels, pebbles

作品以大肚山的土地為發想源頭，其中包含風的流動、水的資源、紅土的養分，熟悉的元素引發民眾對這塊土地的共鳴，亦傳達科技發展縱觀局勢、覺察在先之際，同時觀照永續的自然人文。方框如同中科的任意相框，捕捉園區的藍天、白雲、風雨等千變萬化的景色；片狀塊體彷若向天空飛揚的輕盈風箏。整體作品將中科園區形塑成充滿生命力的有機體，熱情地邀請人們來到幸福的中科，感受溫暖的能量。
“Windswept” was inspired by the flow of the wind, water and red earth on Dadu Mountain elements easily identified with the area. The work conveys the vast sweep of technological development, focusing on the future but also embracing the enduring power of nature and culture. The square frame captures the countless variations of blue sky, white clouds, wind and rain in the science park. At the same time, outer elements of the piece seem to float weightlessly skyward like kites. The work is an organic entity, imbued with the vitality of the location, passionately inviting people to experience the warmth of the Central Science Park.